
Saturday, 21 April 2012
Edwina in Wonderland

Sunday, 19 February 2012
Cats and Dogs

Tuesday, 26 July 2011
Welsh secret weapons

With this year's World Cup taking place in the Land of the Long White Cloud, it would be a brave rugby fan who bets on anyone but the All Blacks to lift the Webb Ellis trophy.
Apart from having the home advantage, New Zealand's national team can rely on the haka. The power of this war dance to discompose opponents has long been noted, with the All Blacks occasionally being asked to perform it in the dressing room, such is the power of this display to persuade opponents that the outcome of the forthcoming match is a foregone conclusion.
What was slightly less impressive was the All Blacks' reaction to the Welsh team's decision to respond to the haka by standing their ground and staring the All Blacks down. Unfortunately the latter's petulant outburst, that the nasty boys in red weren't playing fair, didn't exactly match their fearsome reputation as rugby's hard men.
Still, the Welsh boys can relax; let the Kiwis do their little dance unopposed, for we have a weapon far more terrifying than a Maori dance. What can it be, this thing that strikes fear into foreigners from around the world? Yes - it's Welsh names!
When at university in South Africa, one of my acquaintances mentioned that her maternal grandmother hailed from somewhere in Wales. In response to my questions she admitted that not only was she unable to pronounce the place name, the terror of “all those consonants and no vowels” had led her to forget it entirely.
A few days later she brought in the offending name, written on a folded piece of paper. Obviously, like Voldemort, it was considered too terrifying to repeat in public. I opened the note and saw the full horror for myself: Aberdare.
What is it about Welsh that causes the brains of otherwise intelligent people to turn to mush?
A friend of mine recently visited Hay-on-Wye, not expecting that this small border town would contain quite so many Welsh signs, but seemed charmed rather than alarmed by the experience. He is very much in the minority.
Discussing the new series of Torchwood with another well-educated friend last week, she revealed that she didn't enjoy it as much as Doctor Who (another BBC Wales production) because of “all the Welsh names.”
There were actually only two main characters with Welsh names in Torchwood – the formidable Gwen Cooper and a character, killed off at the end of last season, called Ianto Jones. I think that most of us can cope with Gwen and Jones but in case, dear reader, you find the thought of saying “Ianto” about as appealing as diving headfirst into a pit full of vipers, here's a guide to pronounciation: yan-to. There! Not that difficult, is it? If you really want to sound authentically Welsh, shorten the second syllable so that it doesn't sound like “toe”.
Currently I'm planning my own Welsh drama series, following DC Llinos ap Iorwerth from Llanfairpwllgwyngyllgogerychllwyndrobwll-llantisiliogogogoch as she tries to solve the murder of Llanelli-based rugby player, Llelli Llewellyn, on the Froncysllte viaduct.
If that doesn't sort the men from the boys, I don't know what will.
Tuesday, 22 March 2011
Publish and be damned famous

With the ever-growing storm surrounding the current economic crisis, the debate has exposed the extent to which the banking industry has effortlessly achieved basket case status. It's difficult to recall the breast-beating that greeted Nick Leeson's downfall all those years ago; at the time we were assured that Leeson was a rogue trader, a claim that he hotly denied, claiming that the entire banking world was shot through with greed and insane risk taking. How right he proved to be!
It's so easy to hate banks, though. Even my previously fair and friendly local Solbank has been eaten alive by its parent company, Banco Sabadell and has been transformed into a mean, money-making machine that has, over the past six months, gobbled up 50 per cent (yes, you did read that correctly!) of the money that entered my account, including the entirety of a 100 quid cheque that my godmother sent me for my 50th. - and a happy birthday to you, you miserable, money-grabbing bastards!
Yet however tempting it might be to view banking as the only industry that has so conclusively sold its heart and soul to the devil, it is far from being the sole offender. Over the past, painful decade I have witnessed the deterioration of the publishing industry from a refreshingly old-fashioned, honourable club to a rapacious sausage factory with all the artistic judgement of Simon Cowell.
Firstly, I am aware that nobody who has the arrogance to produce a novel has the right to assume that it will be published; I'm sure that for every 10 authors manqué who claim to have a book in them, there are nine who would be best advised not to let it out. I remember once reading a guide to aspirant screenwriters in which the author claimed that possibly less than 10 per cent of screenplays submitted are correctly formatted. Some bids for movie immortality are no more than poorly conceived pitches (“guy goes back-packing in Thailand and meets a bunch of deadbeats from Leith - it's The Beach meets Trainspotting”) scrawled on paper napkins. One can only imagine the types of horrors dumped daily on the desks of Britain's book editors, so I sympathise.
However, the face of publishing today does make me wonder whether the aspirant writer will ever have a decent chance of securing even a two-book deal. Despite rave reviews from independent readers, my writing partner (himself a previously published writer and former book editor) and I have completely and utterly failed to find a home for our second thriller. While I understand the basic rules that govern this genre (find some specific locale in which to set it and introduce at least one character who can be reprised in future novels) and my writing partner is a genius when it comes to plotting and pacing – as a former editor he's had years of experience – we have not had as much as a nibble.
Despite the help of a London-based agent with our quest to secure some interest from a major publishing house, we didn't have any serious bidders. This left us with two options; try one of the many small publishers in the hope that once our thriller was available on Amazon, it might attract enough interest to draw in one of the majors, or sell some aspects of the novel to an interested fellow author for a tiny fraction of what we could have earned for the whole and cannibalise what's left for a treatment that might be picked up by a TV or film production company. We've opted for the latter, a pretty devastating return on what amounted to several years of painstaking work.
While I was engaged in the fruitless quest for a publisher I received some advice from a contact who had worked for Penguin for years, reminding me that many authors only see daylight after completing their fourth or fifth novel. She suggested, therefore, that I shouldn't lose heart, but continue to write and perfect my technique. Fair comment, I feel, if it wasn't for the type of fast-tracking that now defines the British publishing industry.
In the past few weeks I have heard of two celebrities, namely Fern Britton and Colleen Nolan, who have actually been APPROACHED by publishers and asked whether they'd ever considered writing a novel? As the old song says, nice work if you can get it! No financial worries for these two authors; fat advances upfront and dedicated editors to mother them through the unpleasant business of plotting, pacing and planning. With this type of assistance on tap, I daresay my tabby cat could probably stump up a half-decent novel.
Once printed, will these two doyennes of daytime TV actually shift enough copies of their respective pot-boilers to cover the publisher's considerable costs? Probably not. Some celeb books have been successful, such as the ghostwritten offerings of Katie Price and Peter Kay's memoirs, but there is no more guarantee of a celebrity name netting hot sales than any properly promoted novelist.
So the unread and unloved piles of manuscripts continue to pile up on editors' desks. With an agent on board my writing partner and I were relatively lucky to have a foot in the door; if you're a first-time or unpublished writer you will be unsurprised to hear that you have virtually no chance at all. These days most major publishers have a “no unsolicited manuscripts” policy, a phrase which can perhaps be better translated as “don't bother us, we're too busy schmoozing at the Groucho Club”.
Still, that's contemporary Britain for you – celebrity mad. It's even spread to the world of science; as probably the highest IQ currently on TV, Professor Brian Cox looks set to take up Patrick Moore's mantle. He has an unfeasibly large haul of postgraduate degrees, has worked at CERN, can explain the concept of particle physics in a way that even someone as mentally concussed by the physics stupid stick as I can understand some of it, but the one aspect of poor Professor Cox's life that nobody can forget about is his previous pop career. So it's not, “Professor Brian Cox, particle physicist”, it's “Professor Brian Cox who used to be part of nineties pop act, D-Ream.”
Still, as they say, things can only get better.
Wednesday, 22 September 2010
Dentally challenged
In recent weeks thousands of NHS doctors have found themselves under fire for the sheer, unbelievable vastness of their salaries and I know that I should feel massively aggrieved on behalf of all my hard-working relatives and friends who pay for them via the tax system. However, I prefer to direct my ire at a different breed of healthcare professional.
Last week I finally took the plunge and went to the dentist. Yes, I know – I'm a mad, extravagant bitch, but I had seen an ad in one of the local freebies offering a check-up and clean for 19€. Much to my amazement this was, in fact, the amount that was charged. It was a bargain, especially considering that I hadn't had my teeth examined or professionally cleaned since a cavity necessitated a visit in 1998, an experience that still gives me nightmares of the darkest and most depraved kind. Later I discovered that the same butcher already had several complaints lodged against his name with the British Dental Council, a fact that didn't surprise me, but it has left me with a lasting grudge against the profession and a more general disinclination to subject my poor, plaque-ridden gnashers to any more rough treatment.
Yet it's not just the pain and suffering that has put me off going to the dentist, despite the fact that my gums are receding faster than the Spanish economy; it's the mind-boggling bill that accompanies it. A friend of mine went to the dentist this week, a visit necessitated by an exposed nerve. The cost for a temporary filling and a squirt of fluid to kill the nerve was 150€! Of course, he still has to go back in a few days to have a permanent filling – another crafty 150€. At those prices the Civil List begins to look like good value for money.
I'm not suggesting that dentists shouldn't be rewarded for their years of training and their expertise, but this is now beyond a joke. Unfortunately the profession's insane get-rich-quick mentality is having dire consequences for the health and welfare of the people of Britain. Every day we are bombarded with some new warning of what health horror lies in wait for people who fail to look after their teeth, yet with NHS dentists becoming an endangered species and private treatment being beyond the means of many, what are we supposed to do?
When I lived in South Africa my medical aid scheme was so comprehensive it allowed me a pair of specs every other year and two dental check-ups annually. It helped that my dentist was so skilled that I experienced not even the vaguest twinge of pain in all the years that he treated me, so I was quite happy to book my next appointment before leaving. No worries about payment – as long as it was a necessary procedure and not a cosmetic job, the medical aid scheme would take care of it. These days, while it's still possible to find a few vaguely affordable private healthcare schemes, it is a rare thing indeed to encounter a medical aid deal that includes dental treatment. Therefore, it's either a question of finding an NHS dentist (good luck with that, boys!) or going private.
Admittedly I'm slightly out of touch but it seems that the closest NHS dentist to my hometown of Pembroke is 25 miles to the east in an even smaller town called St. Clear's, which is in Carmarthenshire - a different county! As for getting on to his overcrowded books you might have to offer sexual favours or clean his car every Sunday for a year.
Over the years Americans have delighted in taking the mickey out of us Brits for our dodgy dentition and, while I have no desire to see U.K citizens turning into the Osmonds (I am quite fond of teeth looking functional rather than purely decorative) I am beginning to see their point.
If these insane dental charges continue I fear that a return to a nation of medieval mouths is inevitable.
Tuesday, 21 September 2010
Things that make me go hmmm – on TV (Part 3)

These days almost every TV genre now has its list of cliches that can be called upon at will, but I can't help thinking that, despite the frequent pasting that X Factor and the other reality TV shows receive for their sob story-strewn inanities, the worst offender in the cliche stakes is the property programme.
The fatuous cliches of property programmes
Oh God, where do I start? The phrase 'an embarrassment of riches' is bolting to the forefront of my brain like a rampant stallion. Perhaps it's the omnipresence of these programmes that makes it seem that every other sentence contains some trite horror or other.
The unwritten rules of daytime TV dictate that every property or lifestyle programme (and here I include such offerings as Escape To the Country, Wanted Down Under, Location Location Location, Homes Under the Hammer and a myriad others) contains the following triumvirate of terror:
Talk of “going on a journey”: by no means confined to 'talent' shows, this particular abomination can now be used to describe nothing more emotionally arduous than a couple of days spent viewing property in Rutland. At least X Factor contestants have had to endure the hardship of being separated from their families and the trauma of singing live on TV with millions watching and without an ounce of originality or talent to back their quest for superstardom.
“Ticks all the boxes”: there is no other phrase that has quite the power to reveal the paucity of imagination of the average participant in these celebrations of mental mediocrity. Wouldn't you, dear reader, turn puce and go blind rather than utter such a prime example of brain-fart? I know I would! What's wrong with, “Yes, this does appear to be just what we're looking for” or “Well, we asked for three bedrooms and this has four, so it actually exceeds our requirements”?
“The wow factor”: this well-worn description is liberally applied throughout, whether the property being viewed is a sixteen-bedroom mansion in Buckinghamshire or a two-bed maisonette in Catford. Obviously some properties are genuinely impressive but the constant expectation that the featured home should be a palace fit to make Marie Antoinette weep with envy is as tiresome for the viewer as it surely must be for the presenter.
Come on, people! We really can’t be THAT short of originality and intelligence – can we?!
Thursday, 9 September 2010
Things that make me go hmmm – on TV (Part 2)

So, as I have demonstrated, women are frequently portrayed as raging hormonal timebombs with no sense of hygiene. This, in itself, would be bad enough, but the wily TV execs have yet more fiendish tricks up their sleeve. In a further attempt to make them all seem what Irvine Welsh would term “silly wee girlies” they have determined to carry on the old Marilyn Monroe-esque tradition of the tiny, powerless bint in her boyfriend's massive shirt.
The Tiny, Powerless Bint in her Boyfriend's Massive Shirt
Like the madwoman with the pregnancy test, this scene knows no genre and is just as likely to turn up in the corniest sit-com as it is in a tense drama.
Cynics might claim that this aversion is due to the unlikelihood of my ever being able to fit into any of my ex-boyfriend's shirts – even with straining seams and unsightly bulges - and I must confess that, unless I suddenly recall dating Giant Haystacks during a previously undiscovered amnesiac period in the 1980s, this is indeed true. Yet nothing is guaranteed to send me screaming up the wall faster and louder than the scene where, clearly after a night of coruscating passion, the woman is seen wandering winsomely around her apartment dressed in her boyfriend's shirt.
Apart from the hygiene issues of choosing to wear the same clothing that the sweaty herbert thought fit only for the bedroom floor last night, there is almost always a disconnection of logic. For example, this very scene was reprised by the extremely curvy Letitia Dean playing Sharon Watts in Eastenders when she was engaged in a particularly insane sexual affair with Dennis, played by the rather skinny and not especially towering Nigel Harman. There is no way – I repeat no way – that Letitia Dean would fit into a shirt of Nigel Harman's but, when she opened the door clad in that very item it was so capacious you practically could have fitted another Letitia Dean in beside her. Unless dear old Dennis was moonlighting as the Incredible Hulk and extending his wardrobe to equip both of his guises, I would humbly suggest that this was a risibly unlikely scenario.
It's almost enough to make me want to work in TV. If so, I would write a drama of a smouldering affair between an older, golf-obsessed businessman (played by Ronnie Corbett) and a middle-aged TV executive (played by the Amazonian Julie T. Wallace). Then when, after the obligatory night spent ceiling-gazing, she could answer the door wearing his shirt, that reaches way beneath her knees and THEY MIGHT GET THE BLOODY MESSAGE!